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May 10, 2009
Why Pacquiao Matters
I grew up in Turlock, CA. Born in Manila, Philippines, but I spent childhood and adolescence in a small suburban/rural city in the California Central Valley. During elementary and high school, I was able to count all the other Filipinos on one hand.
College and post-college life was split between San Diego and the Bay Area; both areas are demographically far different from what I experienced growing up. These two cities are political opposites, but have, among others, one thing in common: a critical mass of Filipino-Americans. Having lived in areas where faces were similar to mine, I was able to be comfortable in my own skin. There was no need to explain where the Philippines and what a Filipino is.
How does this all connect back to Manny “Pacman” Pacqiuao, who recently presented Hatton with a post-colonial knockout? Along with others, he has facilitated the process of making Filipinos a common face in the mainstream. He’s had two of HBO’s award winning series 24/7 feature him, and he’s been the topic of conversation on Sports Center numerous times. It’s cool to see Mickey Rourke and Mark Wahlberg be enthusiasts, but it’s even fresher to know that Diddy and Jay-Z threw after parties for him. With the cries of boxing’s decline, considering the current “post-De La Hoya” period, Pacquiao’s left hook resonates to boxing fans and casual observers and prevents the “____ is dead” discussions from inflating.
With all the success, he has been able to stay grounded and humble, fighting not for self-glorious reasons but for the people of the Philippines, the bayan. For a turbulent country that has had little in the ways of optimism, he offers the people hope. One just needs to be reminded of the mythical, yet true, anecdote that crime and gunfire stops in the Philippines during a Pacquiao fight. While he lacks what I wish he possessed, a consciousness of Ali, who spoke against racism and for social justice, Pacquiao sees the inspiration that he instills in the people of the Philippines and the Filipinos who have since been part of the diaspora.
For the Filipino American, the past couple years have allowed us to move away from the margins. A lot of work still needs to be done in terms of institutional change, but for the youth growing up today, the change has been seen within whom they are able to identify on television. Jabbawockeez and almost every other crew on MTV’s America’s Best Dance Crew has provided semblance of similarity. Cherice Pempengco, Arnel Pineda, and more recently, Rin on the Rox made names for themselves via YouTube, gained national attention, and appeared on various television programs. Additional names have also been making waves in other sectors of pop culture.

Growing up in Turlock, all I had was Rufio and Ernie Reyes, Jr. I remember having to argue with classmates that they were Filipino and not Chinese. But what is different today, is that today’s Filipino youth have individuals who are not forced to hide their identity to appeal to a broader audience. Rather, many of the Filipinos currently in the mainstream proudly wear their culture on their chest. We see flags being waved on MTV and t-shirts emblazoned with the eight-rayed sun.
Filipino youth living in pockets with a large Filipino community have been able to identify with people that look like them on a daily basis. For the youth living in the Central Valley or the Midwest and whose parents do not have The Filipino Channel, it is a more alienating experience. The alienation lessens when you see folks that could be your kuya, ate, pinsan, tito, or tita on your television set, offering themselves as a role model who wants you to be proud of your heritage and the country from which your parents had been pushed.
Currently, it would appear that it’s fly to be Filipino. Though, many Filipinos would say that we have always been fly. Whether or not this is a “Filipino renaissance” will remain to be seen, but it’s important to take notice that the margins are not a place where Filipinos plan to stay.
Recent posts by Matthew Ledesma
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The comments for this story have been closed. Thank you to everyone that participated.
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Posted by: Kristia on May 6, 2009 2:12 PM
Word. Matt's so smart.I think a lot of young Filipino men, and really Brown men in general, are pulling a lot from Manny's presence in the media and career success. I never grew up with a man like this on tv, I just knew them in the barrio.
I also think his devout Catholicism is crazy interesting cause America doesn't really know what do with a Brown man like this. He beats your ass, but then he immediately goes any prays. It's a trip.
diaspora
Posted by: jrip on May 7, 2009 12:56 PM
Its also great to see multi-racial pinoys like Batista in Pacquiao's corner on TV. Just to show how complex and beautiful the Pilipino diaspora really is, you can't rely on skin color, height or any other physical attribute to label Pilipinos anymore. A reminder that the “Filipino renaissance" will be broadcast in every color, not just brown.thank you!
Posted by: rubyuniverse on May 8, 2009 1:27 PM
peace Matthew, my name is Ruby, i'm an artist from the Bay. much of what you wrote about have appeared in countless conversations among my friends, and i'm happy someone laid it out in one article for a greater audience to see. secondly, as someone who is entering the media sphere, your ideals also resonated with the excitement I feel towards a new creative platform to recognize filipino americans in popular media.i hope you don't mind, but i reposted your article on my blog: www.rubyisill.com.
respect,
Ruby
salamat!
Posted by: aileensuzara on May 11, 2009 10:41 AM
hey matthew,thanks for this article! pacquiao's rise to stardom definitely complicates media representations of what and who is filipino, both in the homeland and the diaspora.
just had a conversation of when/where is the "filipino renaissance"? are pacquiao and the pop stars of this generation taking next steps on paths carved out by previous generations of entertainers and artists - like rizal to carlos bulosan - or is this new wave of media superstars to be named something else?
- aileen -
peace
Posted by: ninoy brown on May 11, 2009 12:10 PM
Thanks to everyone for their comments.It's good to see folks discussing what Pacquiao's presence means, especially since it's a new experience for us. Aileen made a good comment about whether his presence and his counterparts in pop culture really symbolize a "Filipino Renaissance". It's important for us to enter this discussion cause it is our generation that is being defined by pop figures. As proud as I am for our folks getting shine, I wonder if they also think that we are essentialized as simply entertainers for the rest of American society? Will we be remembered for our other accomplishments as well? Where will this crossover take our community?
don't call it a comeback :]
Posted by: jrip on May 13, 2009 1:09 PM
to continue the discussion along the lines of aileen and ninoy's great comments - i think you can and should compare the cultural signficance of different artistic and social contributions to the Filipino Identity. A point of comparison thats fun to debate about is endurance - F. Sionil Jose's body of work will endure much longer than Wowowee, but Willy is the man for his time and place.I just shy away from drawing a line in the sand between the 'real' art and the 'other' because its culture were talking about here, everything counts, everything builds on everything that came before it. Like I say, some things may have a greater lasting impact, but the momemnt you exclude things from the 'renassiance' it starts a slippery slope. And maybe its semantics but renassiance doesn't seem apt, after all we're adding new footnotes to filipino-ness, not starting the definition from scratch.